Pride Month is incredibly important to me as a member of the LGBTQIA+ community. It is a time to celebrate diversity, acceptance, and love, and what better way to do that than to actively read queer horror?
While the horror genre has not always been diverse, in recent years, there have been quite a few new and upcoming queer horror selections. I have included five of my favorite queer horror books for you to sample, and you might just find a new favorite here!
There are so many more queer horror books to discover, and I hope that this serves as a starter point for you to discover more diverse horror reads.
Happy Pride, everyone!

Beguiled by Night by Nicole Eigener
Queer Representation: Pansexual
Louis de Vauquelin is an ancient French vampire created in 1668 and now living in present-day Los Angeles. His life in self-imposed exile has become peaceful and relatively carefree until time suddenly begins to unravel, forcing him to navigate the already chartered waters of his past.
Vauquelin fumbles his way through history in reverse, ripping the scabs off of old wounds and mourning the loss of his futurepast joys, while attempting to keep certain skeletons firmly locked in their closets where they belong.
But the past has a way of making its presence known, especially when one is reliving it. Vauquelin’s mundane modern existence is systematically erased, compelling him to confront all his missteps over the last three centuries and acknowledge his defeats.
As he regresses through time, he surrenders to his brutal nature and faces an unexpected choice that could alter his life completely, and in turn, extinguish the only true happiness he ever knew.
Beguiled by Night is a complex tapestry of time, horror, and beauty deftly woven with gore and redemption, returning the vampire genre to its proper roots of elegant violence.

Her Body and Other Parties by Carmen Maria Machado
Queer Representation: Various explorations of queerness
In Her Body and Other Parties, Carmen Maria Machado blithely demolishes the arbitrary borders between psychological realism and science fiction, comedy and horror, fantasy and fabulism. While her work has earned her comparisons to Karen Russell and Kelly Link, she has a voice that is all her own. In this electric and provocative debut, Machado bends genre to shape startling narratives that map the realities of women’s lives and the violence visited upon their bodies.
A wife refuses her husband’s entreaties to remove the green ribbon from around her neck. A woman recounts her sexual encounters as a plague slowly consumes humanity. A salesclerk in a mall makes a horrifying discovery within the seams of the store’s prom dresses. One woman’s surgery-induced weight loss results in an unwanted houseguest. And in the bravura novella Especially Heinous, Machado reimagines every episode of Law & Order: Special Victims Unit, a show we naively assumed had shown it all, generating a phantasmagoric police procedural full of doppelgangers, ghosts, and girls with bells for eyes.
Earthy and otherworldly, antic and sexy, queer and caustic, comic and deadly serious, Her Body and Other Parties swings from horrific violence to the most exquisite sentiment. In their explosive originality, these stories enlarge the possibilities of contemporary fiction.

Plain Bad Heroines by Emily M. Danforth
Queer Representation: Sapphic
Our story begins in 1902, at The Brookhants School for Girls. Flo and Clara, two impressionable students, are obsessed with each other and with a daring young writer named Mary MacLane, the author of a scandalous bestselling memoir. To show their devotion to Mary, the girls establish their own private club and call it The Plain Bad Heroine Society. They meet in secret in a nearby apple orchard, the setting of their wildest happiness and, ultimately, of their macabre deaths. This is where their bodies are later discovered with a copy of Mary’s book splayed beside them, the victims of a swarm of stinging, angry yellow jackets. Less than five years later, The Brookhants School for Girls closes its doors forever—but not before three more people mysteriously die on the property, each in a most troubling way.
Over a century later, the now abandoned and crumbling Brookhants is back in the news when wunderkind writer, Merritt Emmons, publishes a breakout book celebrating the queer, feminist history surrounding the “haunted and cursed” Gilded-Age institution. Her bestselling book inspires a controversial horror film adaptation starring celebrity actor and lesbian it girl Harper Harper playing the ill-fated heroine Flo, opposite B-list actress and former child star Audrey Wells as Clara. But as Brookhants opens its gates once again, and our three modern heroines arrive on set to begin filming, past and present become grimly entangled—or perhaps just grimly exploited—and soon it’s impossible to tell where the curse leaves off and Hollywood begins.
A story within a story within a story and featuring black-and-white period illustrations.

Sawkill Girls by Claire Legrand
Queer Representation: Asexual, Sapphic
Beware of the woods and the dark, dank deep. He’ll follow you home, and he won’t let you sleep.
Who are the Sawkill Girls?
Marion: the new girl. Awkward and plain, steady and dependable. Weighed down by tragedy and hungry for love she’s sure she’ll never find.
Zoey: the pariah. Luckless and lonely, hurting but hiding it. Aching with grief and dreaming of vanished girls. Maybe she’s broken—or maybe everyone else is.
Val: the queen bee. Gorgeous and privileged, ruthless and regal. Words like silk and eyes like knives, a heart made of secrets and a mouth full of lies.
Their stories come together on the island of Sawkill Rock, where gleaming horses graze in rolling pastures and cold waves crash against black cliffs. Where kids whisper the legend of an insidious monster at parties and around campfires.
Where girls have been disappearing for decades, stolen away by a ravenous evil no one has dared to fight… until now.

Summer Sons by Lee Mandelo
Queer Representation: Gay
Andrew and Eddie did everything together, best friends bonded more deeply than brothers, until Eddie left Andrew behind to start his graduate program at Vanderbilt. Six months later, only days before Andrew was to join him in Nashville, Eddie dies of an apparent suicide. He leaves Andrew a horrible inheritance: a roommate he doesn’t know, friends he never asked for, and a gruesome phantom with bleeding wrists that mutters of revenge.
As Andrew searches for the truth of Eddie’s death, he uncovers the lies and secrets left behind by the person he trusted most, discovering a family history soaked in blood and death. Whirling between the backstabbing academic world where Eddie spent his days and the circle of hot boys, fast cars, and hard drugs that ruled Eddie’s nights, the walls Andrew has built against the world begin to crumble, letting in the phantom that hungers for him.
Do you have any other queer horror recs? Feel free to share them with me in the comments!
